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The impossibility of denying who you are!

When I understood the difference between hobby and my essence as a career fruit to be followed, the professional flowed and happened like never before.

We often think that walking away and letting go after the first big difficulty is the easiest way out. It may even be, but only in the short term because every action has a consequence and it comes back to charge and demand you.

This is what happened to me after my first short movie. I thought it would be impossible to get it back, I would need to invest a lot of money. In fact, we think about pre and during and when it comes to post production, we no longer have resources…even more with a series of mistakes that could have been avoided.

I left the cinema aside because it was the “easy way out” and went to live on the spiritual path. I decided to live in Panama to strengthen myself spiritually and pass on knowledge about yoga, meditation and breathing to people. I didn’t want to have anything to do with cinema anymore.

Remember I wrote that when something is not a hobby but a path to be followed, it comes back to charge you and put you “on a track” again? Well… there in Panama I had some wonderful friends who helped me to realize that cinema is my life and therefore I should never put it aside, because then I would be unhappy.

There in Panama I participated in a film festival (Festival Visible) and a script course with people from different countries. I started recording videos again, amateurishly. And I reconsidered the possibility of saving the short that I thought was lost.

In fact, in the cinema, NOTHING IS LOST! It may not turn out the way it was planned and not be on time, but that’s the wonder of art. Cinema is pure art and art allows you to think outside the box and discover new paths.

📸 @joaogonzalezfotografia

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Pluft: The Phantom

In times of limitless infobesity, a work that brings playfulness and rescues innocence for today’s children comes to the cinemas without losing the artisanal while innovating.

The story of the little ghost of the great playwright of children’s theater Maria Clara Machado has been part of our literature since the 50s, being part of the Brazilian imagination. It has already been adapted for plays and is now on the screen of cinema with an assertive partnership between Rosane Svartman and Clélia Bessa, pioneers and storytellers.

With an extensive post production, the film had one of the biggest budgets of Brazilian children’s movies with approximately 12 million reais. Made in 3D and 2D, the film has a creative and very well done production work, having scenes of Pluft (Nicolas Cruz), his Mother (Fabíula Nascimento) and his Uncle Gerúndio (José Lavigne) performed under the water. With the necessary fluidity from an immersive point of view in a 7-meter pool, the actors won the challenge of acting underground.

The narrative is around Pluft, a little ghost who lives with his mother in an abandoned house. He stands out from the other ghosts as he is afraid of people. His life takes a turn with the arrival of Maribel (Lola Belli) after being kidnapped by the terrible Pirate Perna de Pau (Juliano Cazarré). Maribel will need to overcome her fear of ghosts and Pluft his fear of people to defeat the Pirate and save the great treasure. Rosane successfully translated the magic of theater to film by bringing a creative little ghost not like all the other ones gray and pale and a scary and funny pirate. There is a successful union between fear, adventure and comedy for children and adults, as it is a film for all ages.

There was respect for Maria Clara Machado’s universe and an updating were included such as bringing Maribel in a more combative way. Maribel becomes a vehicle of inspiration for girls to face their fears even in the face of weaknesses, she cries, is afraid, but decides to face them. Pluft is curious but fearful. The movie shows us more than fear, it is necessary to have the courage to face it, it is necessary to overcome it, it is necessary to mature, make choices and respect differences. In Pluft, the art works at its fullest.

http://https://www.youtube.com/watch?v=ViyvmZreWyc&t=48s

 

You can find Pluft the Phantom in theaters.

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David’s Secret

The suspense debut of the screenwriter and director Diego Freitas in feature films invites us to observe the protagonist to assemble the puzzle of a fragmented mind. The movie that won an award at the Montreal Festival brings a very different cinematographic perspective, having an aesthetic that, despite being dark, is wonderful to look at.

Nicolas Prattes in David`s Secret

Nicolas Prattes in a memorable performance merges into Davi, a Serial Killer whose hobby is filming other people without them seeing him. In the academic coexistence with Jonatas, taking a master’s degree, for whom he develops a certain fascination, he ends up having an insight of liberation that implies the death of other people, the first of them being an elderly neighbor. Davi films the act without revealing his identity and is famous for publishing this and other crimes on the internet.

Davi is undoubtedly a multi-layered character and was certainly played with a lot of dedication, as it was Prattes’ first film. The actor who does not live in São Paulo, the filming location, had to move and live for a while in a city hotel, making his experience and deepening in the Stanislavskian protagonist more viable. His daily rehearsal began in pre-production where it was passed scene by scene with Freitas’ sensitivity, resulting in a character who speaks with his eyes and has a real psychopath face.

Nicolas Prattes is Davi

With a bet on the daring and diversified, there are different moments marked by the light in which photography exalts the beauty of the landscapes and inserts destructive elements. In this thriller with high doses of psychological drama, Diego Freitas makes a beautiful debut by telling the life of a murderer with such a fragmented mind.

There is a poetic license mixed with a contemplative photography full of symbolism. Religious symbols, with the presence of a dove, Maria (played by Neusa Maria Faro), Davi, Jonatas (André Hendges), Eden, which is the place where Davi wants to take Jonatas and Praça de Deus. There are symbols referring to Guillermo del Toro such as aesthetic light, Darren Aronofsky with an aggressive art direction, Alfred Hitchcock and Stanley Kubrick in their narratives and creation of tangible characters.

Through the plot we observe that the story is of a boy who commits barbaric crimes in search of love, starting from a lack he seeks a loving family feeling that he never had. The viewer follows the plot from David’s point of view, we see what he sees making us sympathize with his found layers.

The script, which has a version written in just two weeks as an order from a distributor, has symbols of the director’s life, such as leaving home early, along with fantastic realism and many metaphors. The Secret of David is a horror with drama and suspense focused on the protagonist’s mind, which takes risks in the unusual and makes great use of a seemingly simple premise.

You can find The Secret of David on GloboPlay lasting 114 Minutes.

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